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Rape and the Black Woman


By Mark Anthony Neal

When a young black woman was allegedly raped, sodomized, robbed and beaten by members of the prestigious America’s Duke University Lacrosse team exactly a year ago, it was initially treated as little more than another case of “(privileged) boys gone wild”.


As word began to spread about the specifics of the case, various communities mobilized to lay claim to its significance. These groups include Durham, North Carolina residents with long-standing grievances against the University, activists rightfully protesting yet another incident of alleged sexual violence related to a college campus, members of various black communities who wanted to highlight the racist implications of the alleged assault and of course those who felt that too many people were rushing to judgment about the alleged rapists, well before the true facts of the case were established.


At the center of all of these claims and allegiances is the body of a young black woman, who in many ways has been continually assaulted, by the inability of the various narratives surrounding the case to take serious the realities of racialized sexual violence against women of color.

To date no charges have been filed in the so called “Duke lacrosse rape case”. The results of a DNA analysis taken after the alleged attack suggest that the members of the Duke lacrosse team were not involved in the attack, though the local district attorney will continue to pursue the case. As such I am less interested in trafficking through declarations of guilt and innocence in the case, but rather interested in illuminating the various perceptions that have been and will continue to be projected onto the body of the black woman who is the focal point of this case.


As has been reported so far, the accuser is a full-time student at North Carolina Central University (NCCU) and a single mother of two. The young woman and a friend were purportedly hired to dance at a bachelor party at 610 N. Buchanan Blvd. in Durham—a residence shared by several of the lacrosse team players.

Though some have downplayed the significance of race in this case—violence against women is violence against women—the intersections and race and gender are palpable. As Greg Garber notes in his fine coverage of the case for
ESPN.com, the default request for exotic dancers at mainstream escort agencies is often white women (preferably blonde and big-breasted).


Thus in all likelihood, regardless of what happened inside of 610 N. Buchanan Blvd, the young men were hoping to consume something that they felt that a black woman uniquely possessed. If these young men did in fact rape, sodomize, rob, and beat this young women, it wasn’t simply because she was a women, but because she was a black woman.

UCLA and Columbia University Law professor and critical race theorist Kimberle Crenshaw explains the uniqueness of discrimination against black women in her seminal essay “Demarginalizing the Intersection of Race and Sex”. According to Crenshaw: “Discrimination, like traffic through an intersection, may flow in one direction , and it may flow in another.


If an accident happens in an intersection, it can be caused by cars traveling in any number of directions, and sometimes, from all of them.” Using the traffic intersection as a metaphor, Crenshaw argues that black women often “experience double discrimination—the combined efforts of practices which discriminate on the basis of race and on the basis of sex. And sometimes, they experience discrimination as black women—not the sum of race and sex discrimination, but as black women.”

Of course there are historic discourses that have constructed black women as hypersexual insatiable, and exotic — such discourses have often been employed as the rationale for racialized sexual and rhetorical violence against black women. Contemporary examples of such discourses can be found in the flippant and hateful on-air comments by national radio personalities Rush Limbaugh and Neil Boortz, who described the alleged victim in the Duke lacrosse case and U.S. Representative Cynthia McKinney, respectively, as a
“ho” and a “ghetto slut”.


Though it is often the music videos of hip-hop artists that are targeted for the degradation of black women’s bodies, these videos—like the syndicated shows of Boortz and Limbaugh, television networks like BET and MTV, and recording labels—are simply the vehicles for the corporately controlled circulation of black women’s bodies as such . The message is clear: black women and their bodies have little value, little protection and are accessible to anyone who feels entitled to them.


Thus it should not be surprising that a generation of young white men, for whom the consumption of hip-hop has been second nature, would find a black exotic dancer desirable or in the worse case scenario, sexually available to them, even if she resist their advances. But the Duke lacrosse rape case is not simply about centuries old dramas across the color line—It also about the tensions within black communities about which black bodies deserve protection and defense

As the “identity” of the young black woman in the case began to be constructed in the media, it was revealed that she was an “exotic dancer” and un-wed mother of two. These facts should be irrelevant in a sexual assault case, but as is well known, defense attorneys often seek to demonize rape victims—in the courts and in the media—so that the integrity of the victim is called into question.


The goal is to have the public and juries to believe that rape victims bear the burden of responsibility in their assaults. As scholar Wahneema Lubiano recently opined, this is part of the tenuous status of being a women in American society; If you are not “at home” under the “supervision” of a father or a husband, it is open season on your body.


Already there have been attempts to portray the young woman who was raped, sodomized, robbed and beaten as immoral on the basis that she was a “stripper” and an unfit mother, who left her two children home while she performed.

But such demonization takes on another dynamic within the world of “black respectability.” It was clear from the outset, that for some black communities in Durham, NC, the young women was not a “respectable” victim.


The concept of “black respectability” can be traced back to the struggles of African-Americans in the early days following “emancipation”, where so many of the former enslaved sought to find common ground—a shared humanity—with the white citizenry. The strategy behind “black respectability”—exemplified in the late 19th and early 20th century by the Black Women’s Club Movement and the New Negro Movement and much later by the NAACP Image Awards—was to put the “best face” of the race forward.


Accordingly, it also meant that less savory black bodies and antics had to be reduced to so-called “dirty laundry”—never to see the light of day. It was a logical strategy, given the pervasiveness of white supremacy in the century after emancipation and the desire of many black leaders to fight racism, disenfranchisement and racist violence on moral grounds. But it also created the context where those black bodies and practices that were not thought to be respectable enough were jettisoned to the margins of black life and culture.

Ultimately the desire was to find the most “respectable” victims to help animate black communities to struggle against racism, segregationist practices and disenfranchisement. The late Rosa Parks embodied such a “victim”. As noted scholar Aldon Morris notes in his book
The Origins of the Civil Rights Movement, Parks galvanized blacks in Montgomery, AL and nationally, in part, because she was a “quiet, dignified woman of high morals”. (52)


The same could not be said for fifteen-year-old Claudette Colvin, who more than 8 months before Rosa Parks’s historic act, refused to give up her seat on a Montgomery bus. Unlike Ms. Parks, Ms. Colvin loudly protested the request that she move from her seat and was eventually charged with assault and battery on the bus driver who made the request and the police officers who were called in to intervene. When it was eventually revealed that Ms. Colvin was an un-wed, pregnant teen, black activists in Montgomery backed off of her case, waiting for a more respectable candidate—Ms. Parks—to emerge.


Though the Duke Lacrosse case occurs in a different historical context than the Montgomery bus boycott, the silence and ambiguity emitting from some in black communities in Durham and elsewhere resembles the efforts of Montgomery’s black leaders to distance themselves from Colvin.

Even more profound are those who would distance themselves from the alleged victim in the Duke lacrosse case, because she was involved in “immoral” behavior. Such a point was made by Herald-Sun columnist John McCann—in many ways the “voice” of Black Durham—who suggested that the case was about the “consequences of violating moral laws.” (
3.29.06) He later added in a subsequent column that the young woman was at 512 Buchanan Blvd. to “arouse and titillate young men who allegedly stumbled the same way she did—inappropriately using the body and mind.” (4.04.06)


In McCann’s world a “thin line separates the criminal”—rape—and the “immoral”—exotic dancing. McCann’s comments are reflective of a deep social conservatism that offers little protection those who are thought to be immoral. Thus had the alleged victim in this case had been a gay black man or a black lesbian—such as the late Sakia Gunn (and far too many like her)—who was randomly assaulted, their assaults would likely be met with the same level of silence and moral scrutiny (as compared to your run-of-the-mill gang-banger, who gets shot by a law enforcement officer).

The real immorality here is the way that “silence” makes so many black folk complicit in sexual attacks against black women and girls. For every media spectacle, which highlights sexual violence across the color line, there are numerous black women who are assaulted in their own communities and even homes by black men.


This is the point that Aishah Shahidah Simmons’s poignant documentary NO! makes throughout. Black male sexual violence against black women and girls is more often than not, met with blatant silence and denial or in the case of black celebrities, what University of Florida law professor Katheryn Russell-Brown calls “black protectionism”.


In her book Protecting Our Own: Race, Crime, and African-Americans (Rowman & Littlefield) defines black protectionism as “what happens when the African-American community rallies around its fallen heroes—those prominent blacks who have been accused of wrongdoing.”


Black protectionism figures prominently in issues of rape and sexual abuse in the black community given the number of highly visible black men, to name a few, who have been accused (Supreme Court Justice Clarence Thomas), convicted (heavyweight boxer Mike Tyson and former congressman Mel Reynolds) and recorded (R. Kelly) of/in acts of sexual abuse and harassment against black women and girls.


In each case, to varying degrees, these men benefited from black protectionism. As Russell-Brown notes, “black protectionism splits the Black community by gender. It treats prominent black men as a unique class.”

The Duke lacrosse rape case has generated so much attention and media coverage because it traffics in the time tested spectacles of race relations and white privilege gone awry. Regardless of whether or not anyone is indicted and convicted in the case, the reality is that women will continue to be raped and those sexual assaults will continue to be met with silence and a degree of dismissiveness that holds the victims accountable for attacks on their bodies.


If anything should come of the human tragedy that is unfolding in Durham, NC, it should be to challenge us to take very seriously the incidences of sexual assault—in all of its forms—and to construct responses to those crimes that are reflective of a society concerned with all assaults on our humanity.

Editor's note: Authorities have since dropped charges against the three men featured in the main picture.

 Mark Anthony Neal is an Associate Professor of African and African-American Studies at Duke University and the author of four books, including the recent New Black Man: Rethinking Black Masculinity.

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